Aw, man! This is definitely the first game I remember crushing on my brother’s bootleg chinese version of the Nintendo console in South Africa right here. Here’s a fun fact from Fortune you might have not known, sorta like my brother didn’t know it was me who poured water on the console to “fix it” all those years back. (COME AT ME, BRO!):
Super Mario Bros. wasn’t the first game to feature Mario. He technically was born in 1981 in the Donkey Kong arcade game. But at the time, he was only known as “Jump Man”—and his iconic moves were rudimentary. It was Super Mario Bros. that gave him an identity and made him an icon. To date, the character has appeared in over 200 games, according to Nintendo.
I just don’t remember Mario being this violent. Guess he finally got tired of being hoodwinked by princess facades. I feel ya, brotha:
Luigi… Get yo boy.
Downloading music was cool – till it was “not so cool” to download music and they arrested people to make examples of them. We started on Napster, when that was a
free thing. Then they got busted, and spiderman’s brother – Sean Parker moved along amicably. So did we, to Kazaa (or Bearshare, or whatever P2P sharing system got those viruses on your parents’ computers, but you denied it like the stone-cold vigilante you were). All along, the bit-rate (basically how good the code makes the music file sound based on how its compressed If I lost ya already, its okay to move along and skip through) was confined to the bit-rate of around 128 kbps governed by the widely accepted “.mp3 standard”.
That was a mistake we made. All of us: the music industry that allowed that to be how music was digitally distributed, the hardware makers of “.mp3 players” (remember those?), and artists for allowing their hours of laborious art-work to go down the digital drain never to be appreciated again. That is bad!
How bad? That is the audio equivalent of watching the 3-D movie Avatar on that black and white T.V. with a big butt that your grandmother refused to let you connect your Nintendo to. That is like viewing a Picasso painting
or Basquiat for you new-age hippies through an Instagram-filtered photo taken from your friend’s iPhone 4 on that Euro-trip they took with their family.
[Sidenote: NOBODY CARES, JANET! YOUR FAMILY MIGHT BE “CULTURED” AND LOADED WITH FREQUENT FLIER MILES, BUT EVER THINK YOU’RE MISSING THE POINT IF YOU’RE INSTATWEETBOOKING EVERY GALLERY AND MONUMENT? IT’S ALMOST 4TH OF JULY, AND YOU’RE NOT HERE! ENJOY BEING “ON FLEEK” IN FOREIGN LANDS AND ABANDONING AMERICA! That’s BASICALLY TREASON. ALSO… get a better camera, OH WAIT YOU CAN’T IT’S AN IPHONE 4, YOUR PARENTS DON’T LOVE YOU, BYE JANET! BURN]
So here we are today. Streaming is the water all levels of listeners and audiophiles sip from. The convenience of poppin open your Youtube (variable), Spotify (320 kbps), or – as of today – Apple Music app (256kbps) and hearing your jam instantly is unbeatable. That’s fair. However some of us dinosaurs still have the iPod Classic with a click-wheel (its 160 Gigs in the palm of my hand. Stream THAT). We also load individual files to our iFuns (Pandora, and iTunes haven’t quite kept up with extensive catalogues of Young Thug, and Gucci Mane). Whether it’s that, or putting together a dj set – the difference is definitely notable when your earphones or speakers puke out an .mp3 version of a mastered instrumentally dynamic album by D’Angelo, Kendrick Lamar, or Muse. While streaming is still in its infancy (though growing fast), this is one of the main issues it is supposed to fix – raise music appreciation by fixing the audio quality for listeners. We ALL LOVE the music. Whether we buy, stream, or
steal illegally download it, that love remains steadfast. It’s how we treat and value it that is inexcusable today. So bloggers, new musicians, and online bootleggers – STOP POSTING MP3s for download! DEAD THAT. Unless it’s the aforementioned thugger-thugger leak that will never land on iTunes or be worthy of higher mastering, consider it like the Zune laid to rest in the image above – DEAD.